Horrors of the Mind
Welcome to the 8th Halloween Special of the #WordCountPodcast!
A couple of stories for your listening terror this time around. The theme, along with the picture above, is Psychological Horror–if truth be told, it is my favorite kind of horror story.
Listen to the show here:
This will be the last show of the 8th season of the WCP. We’ll be back in January with season 9 and many more original stories for your FREE listening pleasure.
A reminder that we are looking to increase the number of likes on the show’s Facebook Page, so hope on over there and tell you friends about us (use the #WordCountPodcast hashtag).
Second, as always, the WCP is FREE to download and listen via iTunes or Libsyn. This show is brought to you by writers who love the opportunity to share their stories with you. In many ways, the #WordCountPodcast is a hobby for us, as there are no advertisers or revenue stream. It’s just us, a microphone, a four channel mixing board and a passion for sharing our words with you.
We are not asking, nor have ever asked, for monetary compensation. This is our playground, and once a month we invite you to join us around a virtual campfire and listen for a bit.
However, I, and my colleagues, would very much appreciate it if you shared links for podcast on social media, and perhaps check out each author’s links and bios (posted below).
In the meantime, allow me to introduce you to my talented friends:
***NOTE: “The Ball” is performed by Bill, but was written by Dutch author Anneke Klein***
Bill was born in Plymouth, England, studied French at Exeter University and graduated in 1962. While teaching at Hardye’s School, Dorchester, he started his PhD on the theatre of Victor Hugo and was a lecturer at Aberdeen University from 1968 to 1989.
He’s also been a voice-over artist, TV presenter and have extensive experience of acting and directing. His directing credits include many French language plays as well as works by Shakespeare, Orton, Beckett and Ionesco. He spent a sabbatical year at the University of Rhode Island Theater Department, which commissioned translations of 3 Molière plays from me, one of which he directed himself. The script also won third prize in the British Comparative Literature Association’s Annual Translation competition, 1999.
Bill wrote and performed songs and sketches in revues at the Edinburgh Festival Fringe, stage plays, two of which were commissioned by Aberdeen Children’s Theatre, and radio plays for the BBC, two of which were also broadcast in Australia.
Since the late 1990s, his writing has concentrated on prose fiction. He has written many short stories and ten novels, two of which have won awards, with a third being long-listed for the Rubery International Book Award.
Bill has held posts as a Royal Literary Fund Writing Fellow at universities in Aberdeen, Dundee and St Andrews and, since 2015, have been organiser of a Scotland-wide scheme which places professional writers in schools to help students with the transition to writing at university. He still give workshops in schools from Orkney to Dundee as part of the scheme and he’s written five books in Pearson Educational’s ‘Brilliant’ series on study, writing and workplace skills. Bill also co-authored ‘Just Write’ for Routledge.
Website (and blog): http://www.billkirton.com
Maria Haskins is a Swedish-Canadian writer and translator. She was born and grew up in Sweden, but now lives just outside Vancouver with her husband, kids, and a very large black dog.