My posts from the con will be up later in the month as I knock out this episode of the podcast and prepare for the next con this weekend in Rhode Island.
Between getting the book ready for the Beta readers, two cons, and my upcoming thesis defense, so of COURSE I agreed to do a live show at ReaderCon this year. I mean, why the hell not?
Only two of the Word Count Irregulars were on hand for our second live show, so we amped up the story times to 20ish minutes and had a ball putting on a show in Salon C at the Quincy Marriott on Sunday, 14 July.
Here was the prompt for the episode:
You can listen to the latest show here:
Before we get on with the show notes, a reminder that we are looking to increase the number of likes on the show’s Facebook Page, so hop on over there and tell your friends about us (use the #WordCountPodcast hashtag).
Second, as always, the WCP is FREE to download and listen via iTunes or Libsyn. This show is brought to you by writers who love the opportunity to share their stories with you. In many ways, the #WordCountPodcast is a hobby for us, as there are no advertisers or revenue streams. It’s just us, a microphone, a four channel mixing board and a passion for sharing our words with you.
We are not asking, nor have ever asked, for monetary compensation. This is our playground, and once a month we invite you to join us around a virtual campfire and listen for a bit.
However, I and my colleagues would very much appreciate it if you shared links for the podcast on social media, and perhaps check out each author’s links and bios (posted below).
In the meantime, allow me to introduce you to my talented friends:
W. B. J. Williams – “Rebirth”
W. B. J. Williams holds advanced degrees in anthropology and archeology. He is an avid historian, mystic, poet, and author who manages an information security program at a prominent New England firm. He is noted for his bad puns, and willingness to argue from any perspective. He is endured by his beloved wife and two daughters, and lives in Sharon Massachusetts. When he is not at home or at his computer, he can often be found haunting the various used bookstores of Boston.
R. B. Wood is a recent MFA graduate of Emerson College and a writer of speculative and dark fiction. Mr. Wood recently has been published online viaSickLit MagazineandHorrorAddicts.netand appeared in the award-winning anthology “Offbeat: Nine Spins on Song” from Wicked ink Books. Along with his writing passion, R. B. is the host ofThe Word Count Podcast—a show of original flash fiction.
R. B. currently lives in Boston with his partner Tina, a multitude of cats, and various other critters that visit from time to time.
***Note: The ReaderCON panel by panel commentary that follows is in reverse order***
The con is coming to a close, and the scramble to pack up all the podcasting gear and *ahem* the ‘few’ new books now in my collection took me until 10:00 AM.
All About the Odyssey Writing Workshop –Jeanne Cavelos
Earlier this year, I applied to the Odyssey Workshop (on par with Clarion and other high-end writing workshops). My application was politely declined, but I received a lot of excellent feedback from Jeanne on my 4k word submission. My goal was to attend, listen, and see (other than a talent issue on my part) if there were other things I could have done to get me in the door of this six-week intensive program. Not only did I learn a few interesting things for next time, Jeanne remembered me and my application. Is that a goos thing? I’ll let you know if I get in next year.
The Shirley Jackson Awards
In recognition of the legacy of Shirley Jackson’s writing, and with permission of the author’s estate, the Shirley Jackson Awards have been established for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic. Jackson (1916 -1965) wrote classic novels such as The Haunting of Hill House and We Have Always Lived in the Castle, as well as one of the most famous short stories in the English language, The Lottery. Her work continues to be a major influence on writers of every kind. The awards given in her name have been voted upon by a jury of professional writers, editors, critics, and academics, with input from a board of advisors, for the best work published in the calendar year of 2017 in the following categories: Novel, Novella, Novelette, Short Story, Single-Author Collection, and Edited Anthology.
Award Winners in RED below:
Ill Will, Dan Chaon (Ballantine Books)
The Bone Mother, David Demchuk (ChiZine Publications)
The Changeling, Victor Lavalle (Spiegel & Grau) The Hole, Hye-young Pyun (Arcade Publishing)
The Night Ocean, Paul La Farge (Penguin Press)
Fever Dream, Samantha Schweblin (Riverhead Books)*
Mapping the Interior, Stephen Graham Jones (Tor.com)
The Asylum of Dr. Caligari, James Morrow (Tachyon Publications LLC)
The Lamb Will Slaughter the Lion, Margaret Killjoy (Tor.com) The Lost Daughter Collective, Lindsey Drager (Dzanc Books)*
The Murders of Molly Southbourne, Tade Thompson (Tor.com)
* TWO winners in this category in 2018
“Take the Way Home That Leads Back to Sullivan Street,” Chavisa Woods (Things to Do When You’re Goth in the Country)
“The Resident,” Carmen Maria Machado (Her Body and Other Parties)
“Sun Dogs,” Laura Mauro (Shadows and Tall Trees Volume 7)
“The West Topeka Triangle,” Jeremiah Tolbert (Lightspeed Magazine)
“You Will Always Have Family: A Triptych,” Kathleen Kayembe (Nightmare Magazine)
“Blur,” Carmen Maria Machado (Tin House, issue 72, Summer 2017)
“Live Through This,” Nadia Bulkin (Looming Low) “The Convexity of Our Youth,” Kurt Fawver (Looming Low)
“The Mouse Queen,” Camilla Grudova (The Doll’s Alphabet)
“The Second Door,” Brian Evenson (Looming Low)
Her Body and Other Parties, Carmen Maria Machado (Graywolf Press)
She Said Destroy, Nadia Bulkin (Word Horde)
The Dark Dark, Samantha Hunt (FSG Originals)
The Doll’s Alphabet, Camilla Grudova (Coffee House Press)
Things to Do When You’re Goth in the Country, Chavisa Woods (Seven Stories Press)
Black Feathers: Dark Avian Tales, edited by Ellen Datlow (Pegasus Books)
The Djinn Falls in Love, edited by Mahvesh Murad and Jared Shurin (Rebellion Publishing / Solaris Books)
Looming Low, edited by Justin Steele and Sam Cowan (Dim Shores) Shadows and Tall Trees Volume 7, edited by Michael Kelly (Undertow Publications)
Tales From a Talking Board, edited by Ross E. Lockhart (Word Horde)
How Horror Stories End – Ellen Datlow, Nicholas Kaufmann, Jess Nevins, Elsa Sjunneson-Henry
The reader’s expectation of a horror story’s ending or anxiety over the question of how it will end significantly shapes the experience of the story. Which horror stories require cathartic happy endings, and which are satisfying even when evil wins? If the reader likes everything about a horror story but the ending, does that spoil the story or just lead to fix-it fanfic? What moral messages are sent by a horror story’s ending?
James Morrow – Jim read from and upcoming work that he describes as a “demented Doctor Who episode.” It follows the biblical Lazarus through time as he ends up in the 1960’s, Constantine I’s Council of Nicaea and shenanigans in-between. It is typical Jim Morrow–thought provoking, blasphemous and laugh out-loud funny. This was a marvelous way to end the con!
Imagination All Compact – Carlos Hernandez, C.S.E. Cooney, Brittany Warman, Mike Allen, Sandi Leibowitz
A two-hour speculative poetry spectacular. Also, HAIL CLOCKIE!
Mental Illness in Horror – Erik Amundsen, Nadia Bulkin, Teri Clarke, Hillary Monahan, James Morrow, Terence Taylor
In June 2017, author Magen Cubed tweeted a detailed examination of mental illness tropes in horror, positing that representation has mostly been “schlocky [and] careless.” Sometimes mental illness creates a terrifying threat or antagonist; it can also influence settings such as hospitals and institutions. Cubed puts forth that both of these portrayals demonize mental illness. If horror writers begin to look at people with mental illness as actual people with their own possible heroic arcs, what kind of portrayals might be created instead?
This particular panel was the only one that I was a bit disappointed in. The first 20 minutes or so were rather upsetting personal stories of mental illness from some of the panel, and it took some time to get around to literature. The stories were heartbreaking, don’t get me wrong. But not what I was expecting.
Group Reading: Brooklyn Speculative Fiction Writers – Marcy Arlin, Rob Cameron, Teri Clarke, Randee Dawn, Brad Parks, Ted Rabinowitz, Sam Schreiber, Marcus Tsong
Various spec-fiction works in progress read by the group. Almost makes me wish I still lived in Brooklyn. Almost.
C. S. E. Cooney Claire & Carlos are two of my favorite people to see at cons. Upbeat, brilliant and funny, I was delighted to find out that Claire would be reading from Desdemona AND that the book was recently purchased by Tor.
Funny, dark whimsey. Delightful stuff AND she gave me a FREE copy of her CD recorded under her musical whimsey name Brimstone Rhine.
TELL me Brimstone Rhine isn’t also a great name for a demon huntress?
New Frontiers in Fairy Tale Adaptation –Sara Cleto, Rachel Pollack, Veronica Schanoes, Shveta Thakrar, Brittany Warman, Navah Wolfe
Fairy tale adaptations continue to flourish in a wide variety of media including novels, poetry, film, television, and comics. In this panel, a fairy tale scholars and creative writers who have adapted fairy tale material will explore the innovative directions of recent work. How are artists putting the fairy tale to new uses? What contemporary work best exemplifies the potential of the form? Where can we go next?
This was a fascinating panel. I wrote a fairytale sequel a couple years ago based on an old Japanese story called “The Boy Who Drew Cats.” My story, “The Ink-Washed Cat,” is a disturbed and much darker exploration on the consequences of that first story and I wanted to see where it would fit in this new fairytale paradigm.
The Con Suite
So here is something y’all should know: playing Cards Against Humanity…as a DRINKING game…with a bunch of writers goes pair-shaped VERY quickly.
And now you know why it’s taken me days to finish this post.
I’m writing this early Saturday morning as Friday was a jam-packed insane fest–all goo things including a live recording of episode 78 of the Word Count Podcast! But that was a bit later in the day–let’s get to the readings and panels I attended first while trying not to throw up in anticipation of my first Readercon panel.
Gamification of Story Development – Liz Gorinsky, Auston Habershaw, Carlos Hernandez, Bart Leib, Lauren Roy, Gregory A. Wilson
Story-focused games can be useful tools for authors. What happens when a writer draws up a character sheet for their protagonist and lets someone else play it out? Which gaming systems are best suited to developing stories? How can games support writing without creating chaos?
A great set of discussions around complex gaming (tabletop and online) and the creativity behind game stories and their collaboration of development.
Kaffeeklatsch with James Morrow
Jim and his wife Kathy were in great form for this casual discussion of the publishing industry, Jim’s latest work (which he’ll be reading from on Sunday) and a general Q&A which focused on Jim’s research, love of movies and more.
Understanding Neuroscience – Benjamin C Kinney
With my work with Brigham & Woman’s Neurology department on the development of gaming and creative strategies for stroke victims, I was very interested to see what Mr. Kinney had to say. His presentation and discussion hovered around helping writers to understand how to think about the brain. How can one make sense of something so complex, and extract stories that are coherent, plausible, and free from the cliches of the past fifty years?
Group Reading: The New American Bizarrerie – Christa Carmen, C.S.E. Cooney, Carlos Hernandez, Julia Rios, Patty Templeton, Jessica Wick
From gothic to gilded, from Latinx SF to weird Americana, from the Icarus-altitudes of the surreal to the depths of the dark fantastic, readers C.S.E. Cooney, Julia Rios, Carlos Hernandez, Jessica P. Wick, Patty Templeton, and Christa Carmen will regale listeners with a glorious gallimaufry of contemporary speculative fiction.
The Word Count Podcast LIVE! – W.B.J. Williams, M. J. King, Eden Baylee, Bill Kirton, Kathleen Kayembe, R. B. Wood
Here is the podcast:
Episode 78 of The Word Count Podcast went live in Salon A with a set of stories and a video all based on the following prompt:
W. B. J. Williams – “Where The Children Are”
W. B. J. Williams holds advanced degrees in anthropology and archeology. He is an avid historian, mystic, poet, and author who manages an information security program at a prominent New England firm. He is noted for his bad puns, and willingness to argue from any perspective. He is endured by his beloved wife and two daughters, and lives in Sharon Massachusetts. When he is not at home or at his computer, he can often be found haunting the various used bookstores of Boston.
Melissa makes her home in the woods of coastal Maine with her husband, where she writes many flavors of fantasy. Her short stories have found their ways into the anthologies Fight Like a Girl and What Follows, and she is an occasional contributor to the Wordcount podcast. Between writing, travel, the dreaded day job, and demands of family, she can sometimes be found reciting lines on a stage. Some might even call it “acting.” Follow her adventures on her personal blog or on Twitter (@mjkingwrites).
Eden Baylee & Bill Kirton
Eden Baylee left a twenty-year banking career to write and is now a full-time author of multiple genres.
She has written three collections of erotic novellas and flash fiction ~ SPRING INTO SUMMER, FALL INTO WINTER, and HOT FLASH.
In 2014, she launched the first novel of her trilogy with Dr. Kate Hampton—a psychological mystery/suspense called STRANGER AT SUNSET. In addition to working on her next novel, Eden created Lainey Lee for the Lei Crime Series, a feisty divorcée who finds adventure and romance in Hawaii. Her novellas are available on Kindle Worlds.
An introvert by nature and an extrovert by design, Eden is most comfortable at home with her laptop surrounded by books. She is an online Scrabble junkie and a social media enthusiast, but she really needs to get out more often! To stay apprised of Eden’s book-related news, please add your name to her mailing list.
I was born in Plymouth, England, studied French at Exeter University and graduated in 1962. While teaching at Hardye’s School, Dorchester, I started my PhD on the theatre of Victor Hugo and was a lecturer at Aberdeen University from 1968 to 1989.
I’ve also been a voice-over artist, TV presenter and have extensive experience of acting and directing. My directing credits include many French language plays as well as works by Shakespeare, Orton, Beckett and Ionesco. I spent a sabbatical year at the University of Rhode Island Theater Department, which commissioned translations of 3 Molière plays from me, one of which I directed myself. The script also won third prize in the British Comparative Literature Association’s Annual Translation competition, 1999.
I wrote and performed songs and sketches in revues at the Edinburgh Festival Fringe, stage plays, two of which were commissioned by Aberdeen Children’s Theatre, and radio plays for the BBC, two of which were also broadcast in Australia.
Since the late 1990s, my writing has concentrated on prose fiction. I’ve written many short stories and ten novels, two of which have won awards, with a third being long-listed for the Rubery International Book Award.
I’ve held posts as a Royal Literary Fund Writing Fellow at universities in Aberdeen, Dundee and St Andrews and, since 2015, have been organiser of a Scotland-wide scheme which places professional writers in schools to help students with the transition to writing at university. I still give workshops in schools from Orkney to Dundee as part of the scheme and I’ve written five books in Pearson Educational’s ‘Brilliant’ series on study, writing and workplace skills. I also co-authored ‘Just Write’ for Routledge.
Kathleen Kayembe is the Octavia E. Butler Scholar from Clarion’s class of 2016, with short stories in Lightspeed, Nightmare, and The Best Science Fiction & Fantasy of the Year, Volume 12, as well as an essay in the Hugo-nominated Luminescent Threads: Connections to Octavia E. Butler. Her work appeared on the SFWA and Locus Recommended Reading Lists for 2017, and she is a Shirley Jackson Award nominee. She also publishes queer romance under the pen name Kaseka Nvita, edits part time, and runs the occasional Amherst Writers and Artists writing workshop. She currently lives in St. Louis with a beloved collection of fountain pens, inks, and notebooks, and never enough time to write what she wants.
R. B. Wood
R. B. Wood is a technology consultant and a writer of Speculative and Dark Fiction. His first novel, The Prodigal’s Foole, was released to critical acclaim in 2012. Mr. Wood recently has been published online via SickLit Magazine and HorrorAddicts.net and appeared in the award-wining anthology “Offbeat: Nine Spins on Song” from Wicked ink Books. Along with his writing passion, R. B. is host of The Word Count Podcast, and is studying for his MFA at Emerson College.
R. B. currently lives in Boston with his partner Tina, a multitude of cats, and various other critters that visit from time to time.
I adore Carlos–he is one of these human beings that is genuinely Brilliant, curious, funny talented and nice. He is probably the most genuine person I’ve ever met. He read from his upcoming middle-grade novel.
Arrived at ReaderCon mid afternoon and setup for the live recording of The Word Count Podcast schedule for tomorrow at 5 PM. Logistics is something pre-strke me loved and post-stroke me struggles with, but in the end, we are ready as we will ever be. Melissa (with baby) and Walt will be joining me on the panel tomorrow and I meet with both of them to discuss final arrangements (okay—I met with Walt to discuss final arrangements. I meet with Melissa because: BABY).
After dinner with Glenn (as is tradition) I attended a delightful trio of back-to-back readings by authors whose work I enjoy and are genuinely good people to boot:
John read a bit of his piece from the upcoming The Devil and the Deep:Horror Stories of the Sea edited by Ellen Datlow. A haunting tail of murder and hauntings.
F. Brett Cox
Brett read a few things for us. A couple of short poems and two pieces from his upcoming collection: The End of All Our Exploring.
One of my favorite Readecon mainstays and an amazingly delightful man, Scott read his story from an upcoming anthology to be released in October 2018.
And now the Thursday program is over and I’m heading back to meet up with Glenn to cause more mayhem…ah…ReaderCon!
This evening is the “free” portion of the Readercon program. As I look back over the decade of attending this particular conference, I’m amazed at how many people I’ve met through the con and how far I’ve come as a writer.
I’ve budget for FOUR conferences in 2018–I’ve already been to Boskone and Stokercon. This month Readercon and NECON are back to back, so it boils down to one question: Will I survive the month of July?
While I gird my loins (and pray my liver will serve me has it has in the past), I am delighted to let you all know the I will be doing a LIVE broadcast for episode 78 in Salon A at the Quincy Marriott, 5 PM Friday the 13th of July. I’ll be posting loads of pictures, recordings and descriptions over the next few weeks and hope you’ll join me for this bit of my writing journey.
And never fear–I have notes on Bayou Whispers to incorporate into the manuscript in-between sipping bourbon and catching up with old friends.
It’s Thursday, 12 July and Day One at Readercon. Let’s see what happens next.
This is my Readercon 28 (2017) Conference update. The latest posts are at the top, so start at the bottom to get the full picture.
No. I don’t know why I do it that way.
Sunday, July 16th 11:05 PM
Final thoughts-Readercon was the first writing conference I ever attended, starting 8 years ago. I have met so many inspirational people, made so many friends. The Con is changing–and that is a good thing. There were many more younger writers in attendance this year than I remember from years past. There were a few more panels on horror this year–a testament to the resurgence of that genre. Multiple writing groups were reciting their art (and I want to join them all), and overall there is a greater sense of inclusiveness. It’s not perfect, but it is better.
I think the management team has done wonders with their code of conduct and safety regs. in the years since the “troubles” and I hope Readercon will continue to enforce its stated safety policies.
Above all, continuing the thought-provoking conversations and ideas brought up in literature is the fundamental joy of this conference for me. In the nearly ten years I’ve been attending, I feel personally that I’ve grown and learned…and continue to ask questions.
My late father used to say “every day you learn something is a good day.”
Before I close the post for 2017, I wanted to say a special thanks to a couple people who make Readercon amazing for me every year. My Guinness pal, Glenn Skinner, along with Melissa Burkart and Deanna Rice. The most wonderful James & Kathy Morrow, who have been mentors and an inspiration for some time, and Scott Edelman who is charming, funny and full of energy.
This year especially I loved chatting with Liz Hand, Paul Tremblay, Peter Straub, John Langan, Eric Mulder, Cam Roberson, The Boston Speculative Fiction Writers and the Brooklyn Speculative Fiction Writers…
So many others.
I missed a few people who couldn’t make it this year–namely Peter Dube, Yves Meynard and Allen Steele specifically.
I know I’m waxing on ad infinitum, but when I finally hit “post,” it means the end of ReaderCon 28.
“All Good Things,” I guess…
Bring on Readercon 29. See you at Boskone 55 and StokerCon2018…
Sunday, July 16th 11:05 PM
7:35 PM Munching on the traditional post-ReaderCON Chinese takeaway, my lovely wife by my side, it’s time for the final notes for The last day of Readercon…
Grimlight: Life after Grimdark Martin Cahill (leader), John Kessel, Alena McNamara, Nnedi Okorafor, Wes RistGrimdark stories in fantasy and science fiction openly deal with themes of abuse, war, pain, and death. These themes can be used to revitalize one-dimensional genres in which heroes have unrealistically easy adventures, but over time, readers may nd that all the destruction and misery becomes debilitating or boring. Grimlight fiction, a term coined by Emily Wagner in late 2016, strikes a balance between acknowledging life’s sorrows and finding sources of optimism. Guest of Honor Nnedi Okorafor’s Who Fears Death and Max Gladstone’s Craft sequence certainly don’t shy away from the bleakness and tragedy of life, but the characters and readers can stare into the heart of the bleakness and still come out with hope. This panel will examine stories that balance pain with cheer and perhaps take a stab at constructing a first draft of a grimlight canon.
An interesting panel discussion that–instead of drafting a definition of “Grimlight”–came up with a total of five nuanced genre’s within the Grimdark umbrella. I still feel that these genre definitions are applied “after the fact” by some marketing dude somewhere…I think writing is a product of the times. Max Gladstone’s Craft Sequence, for example, was a direct result of the fear felt during the “Great Recession” of the last decade.
Shirley Jackson Awards
(From the SJA Website): In recognition of the legacy of Shirley Jackson’s writing, and with permission of the author’s estate, The Shirley Jackson Awards, Inc. has been established for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic.
The Shirley Jackson Awards are voted upon by a jury of professional writers, editors, critics, and academics, with input from a Board of Advisors. The awards are given for the best work published in the preceding calendar year in the following categories: Novel, Novella, Novelette, Short Story, Single-Author Collection, and Edited Anthology.
“Things With Beards,” Sam J. Miller (Clarkesworld)
Winner: A Natural History of Hell, Jeffrey Ford (Small Beer Press)
Almost Insentient, Almost Divine, D.P. Watt (Undertow)
Furnace, Livia Llewellyn (Word Horde)
Greener Pastures, Michael Wehunt (Shock Totem)
We Show What We Have Learned, Clare Beams (Lookout)
Winner: The Starlit Wood, edited by Dominik Parisien and Navah Wolfe (Saga Press)
Autumn Cthulhu, edited by Mike Davis (Lovecraft eZine Press)
The Madness of Dr. Caligari, edited by Joseph S. Pulver, Sr. (Fedogan and Bremer )
Those Who Make Us: Canadian Creature, Myth, and Monster Stories, edited by Kelsi Morris and Kaitlin Tremblay (Exile Editions)
An Unreliable Guide to London, edited by Kit Caless and Gary Budden (Influx Press)
BOARD OF DIRECTORS AWARD to Ruth Franklin in recognition of the biography, Shirley Jackson: A Rather Haunted Life.
Congrats to all the winners & finalists!
Sororal Friendships in Fantasy Greer Gilman, Naomi Novik, Julia Rios (leader), Tui Sutherland, Fran Wilde.
One of the central relationships in Guest of Honor Naomi Novik’s novel Uprooted is between the heroine and her best friend. Agnieszka and Kasia were raised together and have a deep bond that is explored throughout the novel. This depiction of female friendship is unusual in fantasy fiction and gave rise to much discussion (and no small amount of fan c from fans who either wanted to see more of the friendship or felt it ought to have been a romance). This panel explores sororal friendships in fantasy and the ways they can alter or comment on familiar tropes such as the maiden in the tower and the questing band of brothers.
Kaffeeklatsch – James Morrow & Steve Berman
It’s always good to see Jim and to hear about his latest and greatest works in progress (he had read from Lazarus is Waiting just the other day). However, the ‘klatsch became a serious discussion of gender tropes and marginalized people (with via skin color, sexual orientation, what have you)in the industry. This stemmed from the announcement of the “13th Doctor” to be played by Jodie Whittaker and the subtle inference of lesbianism in the recent “Wonder Woman” movie. Passions blossomed in this discussion. As a Heterosexual white middle-aged male, it was inferred that I could not understand nor celebrate the diversity in both the BBC choice of Doctor nor the lake of a sexualized Wonder Woman. However, as neurologically challenged, handicapped person, I certainly have experienced significant bias and marginalization first hand in the past two years. No, I’ll never know what it’s like to be a gay man nor a woman in a society that seems to negate both, but as a writer, I feel I have to at least try and understand these feelings and my friend’s perspectives.
Needless to say…it was a lively discussion. And I never got my Jim Morrow books signed.
Saturday, July 15th 10:40 PM (Saturday Part 2)
10:40ish PM The evening is done as is day 3. I can not believe the con is almost over at this point. A couple panels and a marvelous group reading to report on, so let’s get to it!
A Technology Not Traveled Inanna Arthen, John Chu, Chris Gerwel, Jeff Hecht, Sioban Krywicki
Alternate history and historical fantasy often engage with technologies that once seemed like the way of the future: airships, clockwork, mechanical computing. There’s a certain dreamy wonder around many modern depictions of early industrial inventions. Why are we fascinated with what became technological dead ends? There are many magical fantasies where wizards can’t use computers; is this a different expression of the same anxieties about modern gadgets? Is there really a possible timeline where clockwork became ascendant while electronics never took off, or is it all just an excuse for some gorgeous cosplay?
Deep Time Glenn Grant, Jeff Hecht, Sioban Krzywicki (leader), Tom Purdom, Vandana Singh, Ian Strock
With so many planets discovered in “habitable zones” around other stars, why haven’t we encountered evidence of other civilizations? Could it just be a matter of scale? Civilization is short, while space and time are vast, so perhaps we simply haven’t overlapped with alien civilizations yet? The universe is vastly old and we’ve only been able to detect some possible forms of transmissions from other civilizations for less than a century? Alistair Reynolds has explored the idea that the slowing of time at relativistic speeds could enable civilizations to meet one another. Panelists will discuss this enticing possibility and what we might find in the far, far future.
REALLY interesting discussions around time travel, relativistic speeds, impact on societies and the definition of ‘civilization.’
Brooklyn Speculative Fiction Writers Group Reading
Marcy Arlin, Adanze Asante, S.A. Chakraborty, Teri Clarke, Randee Dawn, Elliotte Harold, Puloma Mukherjee, Bradley Robert Parks, J.M. Plumbley, Cameron Roberson, Sam Schreiber, Essowe Tchalim, Marcus Tsong
12 snippets in an hour. An incredibly wide range of story beginnings, and I wanted to hear how they all ended! A very active group that makes me miss New York. They are also the producers of the most marvelous Kaleidocast which they are running a kickstarter for their second season
Saturday, July 15th 1:55 PM (Saturday Part 1)
1:55 PM Going to try and breakup the notes for day into a couple of parts so it makes it a bit easier and (quite frankly) I’ve been invited to have a few adult bevies with a couple horror writers whose work I enjoy. It’s always nice to find folks with the same irreverent sense of humor you employ on a daily basis!
But that’s pretty much true of all the people I hang out with at ReaderCON…and my wife’s wit and jokes fit right into that mold as well.
But I digress. Here’s a bit about the morning:
The Life-Changing Magic of Outlining Your Novel. Daryl Gregory, Elaine Isaak (leader), Yoon Lee, Mark Oshiro, Terence Taylor
Developing a novel outline can be nearly as complex a process as writing the novel itself. Our panel of plotters will discuss the many techniques they’ve used for developing the skeletons of books, and consider which outline creation skills and tools lend themselves to particular genres and styles of writing. Hybrid methods of outlining and making decisions on the y will also be discussed.
This was an amazingly fun panel, for a) a dry subject and b) 10:00 AM. And it wasn’t all “Scrivener is great go buy it!”
One of my difficulties post-strokes has been the organization and mapping out of complex plotting. Short stories up to 6 or 7k words is one thing. Whereas I used to be able to keep all the elements of a 100k novel in my head, my brain just doesn’t work that way anymore. So I’m finding whatever workarounds I can to makeup for the damaged noggin.
I wasn’t disappointed. Yes, Scrivener was discussed. So was the use of MS Word (with macros) and MS Excel. But Mind-mapping, the “Snowflake method” and even the old fashioned use of index cards to create pert diagrams were discussed. I have a lot of notes and things to try once I’m back home.
Reading – Scott Edelman
I’ve enjoyed Scott’s work since I was old enough to really pay attention to the writing credits on Marvel comics. His writing is descriptive and fun, and his storylines are very interesting and many times surprising. He read (and then signed a copy for me) from his latest zombie collection of novellas called Liars, Fakers, and the Dead Who Eat Them. He read from the first story in the collection (Only Humans can Lie) which is the story of Tim, owner of a vegan restaurant in a small southern town during the beginnings of the zombie apocalypse.
It’s always good to see Scott, and I know he recorded a few episodes of his podcast Eating the Fantastic (no, it’s not a zombie podcast) while at ReaderCON. He interviews various writer’s during lunch, breakfast or other meal. I know he was chatting with James Patrick Kelly…and another show with George RR Martin is around the corner as well.
Kaffeeklatsch – Paul Tremblay
This was the closet I’ve ever been to a hangout-klatsch. Paul was relaxed, despite and evening of hoops and chats that ended around 3:00 AM. We discussed his upcoming book The Four which he read from yesterday, some of the thoughts and insight from bothHead Full of Ghosts and Devil’s Rock and Vampires with fangs coming out of their eyes (in fairness to Paul, that last bit was John Langan’s fault).
Friday, July 14th 11:50 PM
Wow. It’ll be past midnight when I finally get to bed. Eighteen hours of personal ReaderCON goodness to report on so let’s get to it:
6:00 AM Dear Alarm Clock: Suck it.
5:50 AM The Caffeine is racing through the system. Showered. checked into social media and will write for a couple hours. Finalizing my selectionsfor the panels, readings and kaffeeklatsches I will be attending. Thinking about a few people I won’t see at the con this year for various reasons–miss them (Peter Due, Yves Maynard, Allen Steele, Mike & Anita Allen, Shira & Adam Lipkin).
But there will be others to see…and new friendships to make. The Thursday night program is the free portion of the convention. Friday morning is when things really get moving in earnest.
One more sip of coffee, double-check to see if I’m wearing pants…ready!
1:55 PM Holy time warp Batman! That went fast. A bit of what the morning events were:
The Politics of Villains. Maria Dahvana Headley (leader), Darcie Little Badger, Hillary Monahan, Naomi Novik, Cameron Roberson, Gregory Wilson.The villains of speculative fiction (and fiction in general) often reflect the biases of their times. Race, sexuality, disability, and gender have all been and continue to be used as shorthand for evil; some supposedly villainous physical traits, such as hooked noses on witches, have been around for so long that many modern authors don’t even realize they’re rooted in bigoted stereotypes. In response, some authors have deliberately created villains who stand in for oppressive power structures. This panel will dig into the concept of a villain, a person who embodies evil or wrongness, and discuss whether it can ever really be separated from the writer’s culture-infuenced understanding of which categories of people are most likely to be villainous.
As you can imagine, the talk of this panel (and of the con so far) surrounded our current political environment. Really interesting discussions of “Rich White Guys” (who are the current favorite villains) verses the signifiers and stereotypes of the past.
Reading – Paul Tremblay
I like Paul very much. He’s a native to the Boston area, an educator and a connoisseur of fine beers. And he writes scary shit. What more could one ask? He read from his upcoming book The Four. I finished Devil’s Rock about a month ago…He has a way to build a “subsonic” type of tension into his books that grows into terror slowly…inevitably. From the snippet we heard, sounds like The Four will be a wonderful read!
Reading – Gregory Wilson
Was really excited to see Greg. He has the second book of his Gray Assassin Trilogy coming out (The first of which was Grayshade), and I was hoping he would read a bit of book two. I was delighted when he read from the first bit of Renegade! He and I chatted a bit about academia and he wished me well with the MFA starting in the fall. He–like many others I met through out the day–had asked hoe my health was doing. It’s always amazing to me how writers of any level and notoriety seem to be genuinely good people. Greg also has a podcast called Speculate! The Podcast for Writers, Readers and Fans, which I highly recommend you check out.
Our Dystopia. Susan Bigelow (leader), Cameron Roberson, Tui Sutherland, Gordan Van Gelder, Sabrina Vourvoulias.
Since the election, many on the left have been calling attention to George Orwell’s 1984 as a missed warning. Guest of Honor Nnedi Okorafor said in a radio interview that she believes Octavia Butler’s The Parable of the Sower is a more appropriate dystopia for our current climate. Orwell’s Animal Farm, Margaret Atwood’s The Handmaid’s Tale, and other books have also warned of surreal authoritarianism. Do they map to our current world or are we projecting? What other books have warnings for us that we might heed?
I’ll be that many of you can guess the main topic here…but I wanted to attend specifically because I’m taking a course this fall in Dystopian literature and i wanted to hear the recommended works that the panelists would have. I wasn’t disappointed as I’m now armed with a few more gems to add to my studies beyond what’s mentioned in the course description. The Road by Cormac McCarthy, Uglies by Scott Westerfield and Yevgeny Zamyatin’s We were discussed as well.
7:05 PM Writing this at the start of my 7:00 panel…so I’ll be quick. A Kaffeeklatsche, more readings and a meeting with a few of the Boston Speculative fiction writers is next…
Kaffeeklatsch – Elizabeth Hand
It’s no secret that adore the writings and the humor of Elizabeth Hand. Liz is one of the reasons I chose to go for my MFA, as she works with the MFA program for Stonecoast at the University of Southern Maine. We and a few others sat down for a chat and discussed, among other popular concerns, the environmental impacts and her with with the US Government on the story and planing for megafires of the future. Google it. It’s terrifying.
Unbeknownst to me at the time, this would lead to the piece Liz would use for her reading later. We discussed the “hinted at supernatural” in her Case Neary series and upcoming works.
Reading – James Morrow
Like Liz, Jim has been a major influence for me over the years. He agreed to be one of my references for my MFA application (something I found out just this weekend from his wife Kathy that he almost never does) and has kicked me in the backside when I needed it. He is one of my favorite literary writers and Shambling Towards Hiroshima is still one of my books I love to reread every few years. I thought he might read from The Asylum of Dr. Caligari this year as it was just released, but I was in for a different treat when he pulled a few pages from his upcoming Timetraveling story Lazurus is Waiting. Filled with his normal wit and satire, for 30 minutes Jim delivered his patently dry, sophisticated wit to the audience.
One note…I went up and spoke to him afterwards, thanking him again for his reference, when he asked me to sign a copy of Offbeat: Nine Spins on Song. He new it was the first story I had published after my strokes.
Having one of your heroes ask you for an autograph is kind of amazing…and incredibly humbling.
Reading – Elizabeth Hand
Liz read to us a captivating short story called “Fire,” from a recent collection of short stories and essays of the same name. Based on Liz’s real-life experience as a participant in a governmental climate change think tank, it follows a ragtag cadre of scientists and artists racing to save both civilization and themselves from fast-moving global fires.
Reading – Boston Speculative Fiction Writing GroupAndrea Corbin, Gillian Daniels, Eric Mulder, Emily Strong, Rachel Zakuta
Five members of this local writing group read stories in progress (or about to be published). An eclectic range of tales entertained the audience–from a necromancer trying to us her magic to get the NYC subway system up and running in a post Cthulhu world, to an alien world birthday trip and a purple “muppet-like” alien. Good, crazy group and I was delighted to speak with a few of them, including the president of BSFWG Lyndsay Ely. The seem funny, smart and very nice and I might have the opportunity to join this group in the future, so stay tuned.
Also, they provided snacks.
The Commonalities of Magic and Science.Erik Amundsen, David Bowles, Rosemary Kirstein, Naomi Novik (leader), Nnedi Okorafor
Specialized and secret fields of knowledge create barriers to understanding and can become mechanisms of cultural control. They can also be foundations for resistance. They can support or destroy communities and instill gratitude or resentment. All these things could be said of both magic and science, and the wielders thereof. The tradition of pitting magic and science against each other goes back to Tolkien’s anxieties about industrialization, but today’s speculative works have moved beyond it to recognize that the two can coexist and are often used similarly as metaphors. We’ll examine Guest of Honor Naomi Novik’s mix of historical technology and dragons, Guest of Honor Nnedi Okorafor’s mix of futuristic technology and sorcery, and other successful amalgamations and integrations.
It was wonderful to finally have the opportunity to see and hear this year’s GoH Need Okorafor speak! I lively discussion of fantastical magic and sciences and how they could be used in various societal situations for good or ill.
11:55 PM That’s it..I’m done for the day. Haven’t checked this portion of the post for typos etc., but maybe tomorrow. It’s been amazing so far…tomorrow should be even better!
Thursday, July 13th 10:30 PM
This is the second year I’m actually staying at the conference. I spent two days packing and unpack then repacking. See, this year I brought some books I want to get signed.
Along with a dozen copies of Off Beat: Nine Spins on Song to dole out. If you want one, give a shout out in the comments or find me during the Con.
The ex-Marine Uber driver with the semi-automatic strapped to his waist very kindly helped me load and unload his Infinity. And he didn’t shoot me, so the day started pretty well.
Got settled in, had dinner with Glenn Skinner, and am typing up some notes from the two free panels I attended this evening before bed.
No, I do not believe any of the panelists were armed.
Footsteps in the Dark: The Sensory Range of Horror.F. Brett Cox (leader), John Langan, Darcie Little Badger, Elsa Sjunneson-Henry, Paul Tremblay.
Horror is frequently thought of as a visual medium, and is often adapted for film and television. However, other senses are vitally important to the development of horror stories, and the experience of fear for the reader. Consider Josh Malerman’s Bird Box, which erased sight for the main characters, or the pounding in Shirley Jackson’s The Haunting of Hill House. Consider also the recent uptick in films with disabled characters, such as the Deaf writer in Hush and the blind antagonist in Don’t Breathe. This panel will explore these and other works of multisensory horror, and address how writers can create vivid horror experiences for readers.
This was a lively panel discussion about sensory range in horror–Josh Malerman’s Birdbox (the story of supernatural entities driving people mad and to suicide if they see them–the reader follows survivors who wear blindfolds) was discussed briefly with more emphasis on Shirley Jackson’s most marvelous The Haunting of Hill House. The point was made that only two senses can bee utilized in movies (sight and sound) while all five can be used in the written narrative. Patrick Susskind’s Perfume: The Story of a Murder and The Ballad of Black Tom byVictor LaValle (Up for a 2017 Shirley Jackson award for best novella) were also referenced.
Highway to the Weirder Zone. Samuel R. Delany, Max Gladstone, Maria Dahvana Headley (leader), Chandler Klang Smith, Marissa Lingen.
Surrealism, magical realism, paranormal romance, and other genres of the weird have different methods for getting the reader to suspend disbelief and acclimate as the roses rain down and the protagonist turns into a cockroach. Can authors of less-weird science fiction and fantasy borrow those tricks to ease reader’s dislocation, or is dislocated exactly what a reader should be? Are there different approaches that work for a phantasmagoria of ideas or a phantasmagoria of sensory impressions? And what problems arise from applying the assumptions and techniques of one genre or subgenre to another?
This intro evening to ReaderCON was a marvelous starter and tiny taste of what is to come. Back up in the room now after saying hello to some old acquaintances, eating a meal, and enjoying time at the bar with an old friend…Let’s see what tomorrow brings!
In the picture above, there are seven badges–seven years since I started on this writing journey. First as a hobbyist, more recently taking the curveball life gave me and turning it into something new and marvelous.
My first ReaderCON (Readercon 21) is sort of my starting point for my writing exploits. I had no idea what I was doing back then. Still don’t, but I’m learning all the time.
So before the conference each year, I like to take stock of where I am as a writer, refresh the short & long term goals and reflect on the generally positive things that have happened since last year’s (and my first) ReaderCON.
First, I’ve published six short stories since last year’s conference. Ink Washed Cat as a part of the Once Upon a Cursed Time anthology, Poison Pen in The Unforgiven Anthology, The Glass Bauble in Christmas Nightmares, Thanksgiving in the Park as a part of Off Beat: Nine Spins on Song, and Fine Print–a story I wrote for Richard Thomas’ Contemporary Dark Fiction class was picked up by Sick Lit Magazine a couple months ago.
I currently have nine stories out for submission…wait. Eight. Just got a rejection from Apex. I’ll put it in the file with the other 2 dozen.
Second, I’ve been accepted by Emerson College into their MFA program for Popular Fiction…and they threw a lot of money at me to attend. The online program is for three years, but I’m going to finish it in two.
Third, while I’m only up to short stories at this point…I have ideas for full-length novels. Continuations of my series (I plan on revisiting the first book as a task for my MFA and using that as a stepping stone to seek out the right agent), and a couple new ideas rattling around. More on those at a later date.
Fourth, I continue to meet some amazing, talented writers in the past year who are more than willing to not only read/critique my stuff, but help with general writing craft tips and shoulders to lean on occasionally. Specifically I’m talking about Richard Thomas, Becca Borawski Jenkins, S. L. Coney, Dona Fox, Matthew Munson, Emmett Spain, Maria Haskins, Eden Baylee and Bill Kirton among many, many others.
Most importantly, the limitless support of my partner and best friend, Tina Lampropoulos.
I think that is a lot of wonderful things to focus on, don’t you? Writing continues my rehabilitation post strokes…and I’m learning work-arounds for this cognitive functions that have been permanently lost.
It has been a hard few years–but I am blessed. Something I’ve very recently come to understand and embrace.
Which brings me full circle to ReaderCON.
I will be seeing and catching up with friends I’ve made through the years at the con. There are amazing panels that I’m planning on digging into. There is a stack of books I want to get signed.
There is fiction to read.
My normal daily updates will be posted as usually. Look for them to start next Thursday (July 13th).
Note: I tend to separate various entries by timestamps. They are in reverse order, with the latest posting at the top. ALSO Note that it has taken me a couple of days to put this together. As my first time out in public for months post-strokes, the entire experience was…overwhelming to say the least.
Sunday 10 July
It’s over and I’ve driven home. The sadness that always follows the end of a Readercon will come tomorrow. For now…for RIGHT now, I’m exhausted. I will always go back to Readercon. Not because I have to. But because I’m drawn to it by some immeasurable force.
Magic! In! Spaaace!Chris Gerwel, Mikki Kendall, Matt Kressel, Sioban Krzywicki (leader), Bethany Powell- It was only during this panel that I heard about a controversy at Readercon this year. Mikki Kendall addresses it on her blog HERE. However, she was the consummate professional on this panel and–having not witnessed what had happened directly–never would have known about the issue. Mikki was her normal, witty and very funny self (even early on a Sunday morning). The Panel was a discussion of Magic and Sci Fi–a blending of two genres normally kept very separate.
It was the only panel/reading I attended on Sunday. I’d hit my limit and it was time to head home. Even as tired as I was, I had an enjoyable time. Knowing how well the Readercon folks eventually handled the crisis a few years ago, it’s my hope they will turn their eyes to fixing the lack of diversity brought into sharp relief this year. After all….a Con is supposed to be a fun experience for everyone.
Saturday 9 July 1:00 PM
To start the day, I had a conundrum. See, on the one hand I wanted to hear Jim Morrow read from his work in progress. On the other was a panel on the 200th anniversary of Frankenstein-on the panel was Jim’s wife Kathy and FB friend Theodora Goss. What to do? Well Glenn Skinner and I decided to split the difference. So I went to the reading, and he to the panel.
Reading: James Morrow-Jim read from his work in progress “Asylum of Dr. Caligari” which, if you will, is a literal translation of the events before the film The Cabinet of Dr. Caligari (1920) takes place. Jim’s story has art, intrigue, travel and fantastic set-pieces as well as a morality tale about what’s happened, and what yet may occur should we not heed the warnings of history. Marvelous stuff!
Engineering in Fantasy.Scott Andrews, Richard Butner, John Chu, Ken Liu, Fran Wilde (leader)- This is the kind of panel I would LOVE to see more of at Readercon. I think this subject could have easily been 5 or 6 different panels. Multiple engineers addressing “the machine” underlying all speculative fiction. From logistics and social engineering challenges, to the actual building of infrastructure, the panel (lead with a very sweet, iron hand of Fran Wilde from Tor) barely had enough time to scratch the surface.
Enjoyed a bit of lunch after with Glenn Skinner, Melissa King and Melanie Meadors from Ragnarok Publishing…
Reading: Allen Steele- It was good to see Allen. Not quite recovered from his surgery, but in good form. Like Jim’s passion with old movies, Allen has a similar feelings for the pulp stories of the 40’s and 50’s. Along with Flash Gordon and Buck Rogers, there was a hero called Captain Future. Allen, with permission of the owners of the character, is rebooting Captain Future into a more 21st century type of story. From what I heard, this will be a marvelous set of books!
David Hartwell Memorial Panel.Robert Killheffer, Ellen Kushner, James Morrow, Sarah Smith, Gordon Van Gelder and many others.
It is safe to say that Readercon would not exist in its current form today if it weren’t for the late, great editor David G. Hartwell. Preferring to operate behind the scenes, one of the most generous men with his time in this speculative fiction industry passed earlier this year. My personal story of him goes from teasing him about his tie (he LOVED his ties) to a realization of who he was to a most brilliant discussion of Science fiction story telling. He spent over an hour with me. This panel–made up of some of the most influential people is Science Fiction in their own right, was funny, beautiful and touching. His favorite tie will be framed and memorialized in the book dealer room from next year onward. I encourage you to read about David–start with his Wiki page and go from there.
After this panel….I was done, emotionally for the day. I spent the next few hours with close friends discussing ways that my next book could be improved and discussing stories and writing in general.
Friday 8 July 11:50 PM
Exhausted. Need to put some notes together, but it is now obvious to me that I set a task upon myself that was a bit lofty. It looks as though I will need to finish these notes in the coming week.
Reading: Elizabeth Hand. I adore Liz Hand. I have read pretty much everything she has written and her Cass Neary series has one of the most deliciously flawed main characters I’ve ever gotten to know. She read from her upcoming forth book in the series. It’s funny–Liz does such a wonderful job with Cass’ voice, that’s what I hear now when I read them.
Harry Potter Goes to Grad School and Gets a Job.Jim Freund (leader), Max Gladstone, Josh Jasper, Ellen Kushner, E.J. Stevens. –The Concept of this panel was wonderful–what sort of jobs are available for wizards? We all know Hogwarts didn’t really prepare students for life after school (where was the ‘building a Time-turner class?’). But unfortunately, the topic meandered a bit and lost the focus.
Clockwork Phoenix 5 Group Reading.Mike Allen, C.S.E. Cooney, Carlos Hernandez, Keffy Kehrli, Barbara Krasnoff, Cameron Roberson, Sonya Taaffe, A.C. Wise- Ah. Now THIS was a real treat! I meet Mike and his wife Anita at Readercon years ago. Liked them then, love them both now. They are talented and genuine “salt of the earth” people. Brilliant, funny, talented and both have a darker side that is just tasty. I’ve picked up Mike’s latest short story collection (The Spider Tapestries) based on his work with the Clockwork Phoenix series of anthologies. That, and I like him. He had a few of the authors in the series participate in the reading. Was well handled and well done.
Stupendous Machines or Rat’s Nests: The Wonders of Cells and Why They Are Not Perfect but Just Good Enough.J.M. Sidorova- A Scientific presentation on the human body and a fascinating discussion of the ‘vampiric,’ ‘zombie-esque,’ and ‘immortal’ cells of the human body. A lovely talk on what is beautiful and the flaws of the human body.
Kaffeeklatsch.Elizabeth Hand-Ended the evening with Liz at a wonderful discussion with a group of us about her work and her life. Was so tired at this point, made a bit of a fan-boy of myself. Fortunately, Liz is rather gracious!
Friday 8 July 3:00 PM
A discussion of the “Warm and fuzzy” dystopia of Harry Potter and similar YA fantasy works. From the program:
Cozy Dystopia.Gili Bar-Hillel, Bart Leib, Shariann Lewitt, Kenneth Schneyer (leader), Sabrina Vourvoulias. When we think of the world of Harry Potter, what comes to mind rst—the magic
and childish delights of Hogwarts, with its cozy dormitories and feasts and ying lessons, or its numerous, creeping dystopian elements (even discounting Voldemort!), from the enslaved house elves to Umbridge to the Dementors, which are, frankly, the tools of a fascist state? Can we make an argument that HP is actually more like a dystopia than a fantasy? Even if we’re half joking, there’s still an interesting discussion here: how do these two sides of the wizarding world play off each other, and how do they compare with other dystopian YA? Maybe we need a new subgenre: Cozy Dystopia.
Attended my first panel of Readercon this year. From the Program: Background and Believability-Danielle Friedman, Carlos Hernandez, Kathleen Jennings (moderator), Thomas Olde Heuvelt, Sarah Smith. When a reader calls a story “implausible,” what they often mean is “I’ve never experienced that” or “I’ve never known anyone like that person.” Writers creating their own wish-ful llment stories (e.g., wielding a shotgun to rescue a woman from zombies) may fail to connect with readers who don’t share those wishes (e.g., paci sts, women who want to rescue themselves, oppressed minorities who’ve been threatened by authority gures with guns). How do we bridge the believability gaps within ourselves to connect with stories stemming from experiences we’ve never had, and to write for readers whose ideas of possible and plausible don’t match up with our own?
The Second panel was on a subject I am very-much interested in. From the program:
Why Don’t Animals Use Magic?-Erik Amundsen, Suzy McKee Charnas, Lila Garrott, Theodora Goss, Ann Tonsor Zeddies. Rules-based magical systems draw on an alternate set of natural laws to develop a kind of technology: Dumbledore waving a wand and saying “Apparate” is no different in principle or practice from Scotty beaming you up. Animals also develop tools and take advantage of natural laws; why don’t they use magic? David Eddings simpli ed more abstract magic as “the will and the word”: the desire to do something, and a word to focus that desire. Animals have willpower and can make consistent sounds; why don’t they use magic? We’ll deconstruct the assumptions underlying this animal/human divide in Western fantasy ction, and explore ways of weaving magic so deeply into the fabric of the universe that animals can use it as easily as they use physics.
There was a lively debate about different “Magic Creatures” verses the breakdown of the world if animals could use magic like humans. My opinion on this is that animals would use magic for their basics: Food, shelter, sex. And who says cats haven’t already used magic on US to make sure we bring them into our warm, safe homes? Certainly would explain why Tina and I have five of them…
Thursday 7 July 11:00 PM
Reading: Livia Llewellyn- Livia read something different then a snippet from her upcoming novel for us. A bit of a story she wrote called “The Acid Test.” It will be included in Black Feathers, an anthology by Ellen Datlow due to be released in 2017 by Pegasus Books.
Reading: Scott Edelman– Scott reads a bit of “The Man Without the Blue Balloon and the Woman Who Had Smiles Only for Him.” Since he’d JUST gotten to the reveal when time was up, I told him he needed to read the rest to me before the con was over! Afterwards he and I spent time catching up and he showed me some photos from the Bram Stoke awards in Vegas earlier in the year.
Reading: Jim Kelly-Jim’s story that he read for us was picked up earlier in the day for the tenth anniversary issue of Clarkesworld. I wish I’d written the name down, but it was the story told in the first person by a 20 year old woman working in a bakery in a tourist area in the future…
Chatted with folks for a while more then headed up to crash.
Thursday 7 July 7:00 PM
Saw a few people come in–the familiarity of the faces negates any misgivings I had about attending this year. Mike and Anita Allen, Phil Merkel, Walt Williams (and his wife Margo and daughter Hannah), Yves Meynard, Scott Edelman, Liz Hand…so many others. Had dinner and hung out with Glenn Skinner who is usually the first person I seek out at the convention. He and I took a brief look at the program, decided on our evening’s events, and parted ways with a promise to catch up later. I choose to hear some readings.
Thursday 7 July 3:40 PM
“The Gathering” continues. Like myself, I bump into a few folks who are getting to know the new digs. Since I’ve been attending Readercon, it has (up until this year) been held at the Marriott in Burlington, Massachusetts. This year, the Marriott in Quincy is our hosting hotel. I have a room on the 8th floor with a nice, if distant view of the Harbor Islands.
Wednesday 6 July 7:00 PM
There are a few things that make me feel alive, beyond the whole breathing thing I mean.
The touch of my wife. The laughter of my children. A good story. Writing.
I know this is starting off rather dramatic. But I shouldn’t be at Readercon this year. See, last November I should have died.
The story is long and boring and I’ve gotten to the point where I can tell it with a few amusing asides and gripping pauses. I even throw in a pirate occasionally just to spice things up a little.
But the bottom line is this: from hospital bed, through rehab and radiation….I was determined to hit many milestones during my recovery. Attendance at my favorite con is…was…one of those milestones.
Now that I have you all weeping, ready to rent your garments in grief over the bizarre story I never quite told you, it’s time to put my big-boy pants on and write about the readings, the panels, and the people that bring me back year after year.
All my followers (both of you) will know that last fall I had a series of unfortunate events that continued through the death of my dad in March, my cancer diagnosis, and subsequent radiation treatment (NO gorram superpower, by the way. What a gyp!).
“What does this have to do with Readercon Pre-gaming?” the two of you may be asking yourselves. To which I would reply “How did you two get out of the locked basement?”
Or, to provide a less disturbing answer: “Everything.”
See, I wasn’t going to go to Readercon this year. Yes, I adore the conference (if you need proof, see here. And here. Aaaaand here, here, and finally, here) and this year it’s even closer to my house than ever,
Part of the cognitive damage that occurred last fail was caused by a cluster of strokes. Physically there has been only a slight impact. But there have been some subtle personality changes, not the least of which has to do with a dislike of crowds. And guess what a ‘Con consists of?
My Neurologist and other medical type professionals have encouraged me to go. My wife is encouraging me to go. They all said it would be good for me.
So. I’m going. I am excited to see friends. I’m interested in a lot of the panels they have in store for us. I’m going to get a lot of writing done. I’ll do my semi-streaming blog, as usual. So I’ll need to pack the Mac and the iPad.
Perhaps I should go get a new hat, too. See y’all in Quincy.
***A note on reading the full post. The RED timestamps indicate separate sections. Start at the timestamp at the bottom of the post and work your way up ***
Sunday is both a thrilling and depressing day at ReaderCON. The parties have ended, friends line up in the lobby to check out. Taxis and ride shares begin to leave with ever increasing rapidity.
Let’s walk through the abbreviated program day first, and then i’ll share my final thoughts.
9:00 AMWish Fulfillment for Happy Adults.John Benson, LJ Cohen, Betsy Mitchell, Sheila Williams, Ann Tonsor Zeddies
And interesting discussion on how speculative fiction can capture older audiences. What defines happy for older readers is somewhat different than the younger generations. Mystery stories have that “sense of justice” at the end (for the most part). Romance formulae dictates that the lovers end up together in the end. How can SciFi, Fantasy and other such genres satisfy the happiness gene for adult readers?
Personally, I’m satisfied when the demons are blasted to ash by the protagonist. But I’m simple like that…
From the program:
Wish fulfillment for teenagers and wish fulfillment for adults with happy stable lives are necessarily going to be different. Speculative stories are great for navigating the trickiness of coming-of-age, but there’s precious little for those who are already of age and have started to prioritize comfort over adventure. Female readers in particular often turn to romance novels for stories about families and love and kindness, and to mysteries for stories about grown women with agency and purpose. Can speculative fiction draw in those readers by fulfilling different sorts of wishes?
10:00 AMGhostbusting Lovecraft.Mike Allen, Gemma Files, John Langan, Adam Lipkin, James Morrow.
What does “dogs and cats living together” have in common with Cthulhu? More than you think–as the panelists compare Gozer, the Gatekeeper and the Key Master to Lovercraftian ideals.
Who ya gonna call? Lovercrafters!
In Max Gladstone’s blog post “Ghostbusting Lovecraft,” he writes: “Ghostbusters is obviously taking the piss out of horror in general. But while the busters’ typical enemies are ghosts of the Poltergeist persuasion, the Big Bad of the movie, a formless alien god from Before Time summoned by a mad cultist–cum–art deco architect, is basically Lovecraftian.” Unlike typical Lovecraftian protagonists, however, the Ghostbusters prevail over the eldritch horrors by exploiting the power structures and emotional connections that exist between people. Is the Ghostbusters story arc an alternative to the standard horror tropes, one that replaces fear with humor, defiance, and camaraderie? How else does it subvert our expectations of the conflict between humans and horrors?
11:00 AMThe Shirley Jackson Awards.Mike Allen, John Chu, Ellen Datlow, Daryl Gregory, Nicola Griffith, Gary K. Wolfe
In recognition of the legacy of Shirley Jackson’s writing, and with permission of the author’s estate, the Shirley Jackson Awards have been established for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic. Jackson (1916–1965) wrote classic novels such as The Haunting of Hill House and We Have Always Lived in the Castle, as well as one of the most famous short stories in the English language, The Lottery. Her work continues to be a major influence on writers of every kind of fiction, from the most traditional genre offerings to the most innovative literary work. The awards given in her name have been voted upon by a jury of professional writers, editors, critics, and academics, with input from a Board of Advisors, for the best work published in the calendar year of 2014 in the following categories: Novel, Novella, Novelette, Short Story, Single-Author Collection, and Edited Anthology.
Winner: Annihilation, Jeff VanderMeer (FSG Originals)
Bird Box, Josh Malerman (Ecco)
Broken Monsters, Lauren Beukes (Mulholland)
Confessions, Kanae Minato (Mulholland)
The Lesser Dead, Christopher Buehlman (Berkley)
The Unquiet House, Alison Littlewood (Jo Fletcher Books)
Winner: We Are All Completely Fine, Daryl Gregory (Tachyon)
The Beauty, Aliya Whiteley (Unsung Stories)
Ceremony of Flies, Kate Jonez (DarkFuse)
The Good Shabti, Robert Sharp (Jurassic London)
The Mothers of Voorhisville, Mary Rickert (Tor.com, April 2014)
Winner: “The End of the End of Everything,” Dale Bailey (Tor.com, April 2014)
“The Devil in America,” Kai Ashante Wilson (Tor.com, April 2014)
“The Husband Stitch,” Carmen Maria Machado (Granta)
“Newspaper Heart,” Stephen Volk (The Spectral Book of Horror Stories, Spectral Press)
“Office at Night,” Kate Bernheimer and Laird Hunt (Walker Art Center/ Coffee House Press)
“The Quiet Room,” V H Leslie (Shadows & Tall Trees 2014, Undertow Publications/ChiZine Publications)
Winner: “The Dogs Home,” Alison Littlewood (The Spectral Book of Horror Stories, Spectral Press)
“Candy Girl,” Chikodili Emelumadu (Apex Magazine, November 2014)
“The Fisher Queen,” Alyssa Wong (The Magazine of Fantasy and Science Fiction, May/June 2014)
Winners: Gifts for the One who Comes After, Helen Marshall (ChiZine Publications)
After the People Lights Have Gone Off, Stephen Graham Jones (Dark House)
Burnt Black Suns: A Collection of Weird Tales, Simon Strantzas (Hippocampus)
They Do The Same Things Different There, Robert Shearman (ChiZine Publications)
Unseaming, Mike Allen (Antimatter Press)
Winner: Fearful Symmetries, edited by Ellen Datlow (ChiZine Publications)
Letters to Lovecraft, edited by Jesse Bullington (Stone Skin Press)
The Spectral Book of Horror Stories, edited by Mark Morris (Spectral Press)
Shadows & Tall Trees 2014, edited by Michael Kelly (Undertow Publications/ChiZine Publications)
The Children of Old Leech: A Tribute to the Carnivorous Cosmos of Laird Barron, edited by Ross E. Lockhart and Justin Steele (Word Horde)
12:00 PMReading: Mike Allen. Mike Allen reads Selections from my Shirley Jackson Award-nominated story collection UNSEAMING as well as some poetry.
I have a great deal of time and respect for Mike. I could wax on about is editing for Mythic Delirium and the Clockwork Phoenix anthologies, his poetry collections or his novel The Black Fire Concerto. But I enjoy Mike’s readings not only for the content (the short Monster he read from Unseaming was especially creepy), but his presence and deliver is outstanding–the most theater-esque reading I attended and a great way to end ReaderCON.
I’m in the middle of putting my ReaderCON 26 badge in the hidey-hole that contains similar mementos from five previous conventions (along with a Glory Hand–but that’s a whole other story). I’ve already finished putting the dozen or so book purchases on the “to be read” pile and sealed up the few books I was lucky enough to get signed. As Monday, and the return to the “day job” looms, I find myself wistfully fantasizing about what it would be like to really make a living as a writer.
I know I have a long way to go to get to the point where my work will be seen as anything more than pulpish fun. But it’s fun to think about. Hard to do.
But anything worthwhile takes effort. So the next steps are truly up to me.
ReaderCON 27 can’t come soon enough.
Sunday, 12 July 6:58 AM
The social aspect of ReaderCON is one of the cornerstones of the weekend. I know I alluded to seeing friends in an earlier part of this post, but I never do it justice when writing about ReaderCON. Every year I decide to commute to the Marriott–and every year I regret not staying. Yes, it’s an opportunity to network–but it’s way more than that for me. I see people who I’ve come to know, working in a field that excites me more than any job I’ve ever had. There are cliques, of course–just like any gathering of a large number of people. But everyone is approachable–no matter if they are a multi-award winning internationally recognized author, or a fan. I have coffee with Hugo award winning SciFi writers, drinks with NY Times best selling authors, break bread with poets, and debate with editors.
I enjoy spending time with these people. I learn something every time.
And I have a lot of fun.
Saturday shaped up to be the busiest day of the weekend.
9:00 AMThe Author’s Voice.Barbara Krasnoff (leader), Kate Marayuma, Tom Purdom, Paul Tremblay, Gregory Wilson.
I admit, I will read what I write out loud. I’m sure I look like a homeless dude discussing conspiracy theories while pushing a cart of tin cans when I do this. The panel discussed ways to find the author’s voice, techniques used and advise for “newbies.” From the program:
An old writing advice chestnut is that you should read your work aloud; supposedly this will help you notice awkward phrasing. Let’s dig a little further: when, how, and why do writers do this, if at all? How has it helped—and has it ever hindered? Do authors who are performers have the opposite problem, where their ability to make something come alive in a reading obscures the fact that it’s a bit dead on the page? How does reading aloud square with things like footnotes, parentheticals, illustrations, digressions, or visual representations of dialects? Is anyone emphatically against the practice of reading aloud as an element of process?
10:00 AMSuccessfully Writing About Horrible Things.Mike Allen, Catt Kingsgrave, Kate Nepveu (leader), Mary Rickert, Patty Templeton.
There things in life that happen–horrible things. Writers often have to add these elements to their work. The key point was simple–if it’s necessary for the story–if whatever horrible thing you are writing furthers the plot or changes your characters, then it must be done. The program states:
If you’re not writing horror but your plot calls for something horrific to happen to a character, how do you handle it? You might go overboard and be detailed to the point of undermining or derailing the narrative, or might be so vague that the horrific event has little effect on the reader or the story. A reader who’s been through a similar experience might be offended or distressed by a description of awfulness that’s lurid, gratuitous, clichéd, or bland. What strategies can writers use to help readers empathize with the characters’ suffering and build stories that respectfully handle the consequences of terrible events, without falling into these traps?
11:00 AMNot Just Pointy-Eared Humans.Susan Bigelow, Don D’Ammassa, Sioban Krzywicki (leader), Allen Steele, Fran Wilde.
Moving from the deep and disturbing discussion of horrible things, I switched gears to a SciFi oriented panel discussing aliens. Many times in writing, TV and the Movies, aliens are portrayed as basically human. Whether it’s the limitations of special effects (like in the old Star Trek series from the 60’s) or a desire to have an audience relate to the aliens on a human level–the panel discussed ways to introduce aliens to the story without making them look like or have motivations similar to us human meat-sacks. The program:
How do authors create aliens that are drastically different from humans, and how do readers respond to them? Many non-humanoid aliens are insectoid, such as the Buggers of Orson Scott Card’s Ender’s Game and the parasites in Octavia Butler’s Bloodchild; to what extent does this allow for aliens who are clearly nonhuman but still recognizable? How do aliens like Octavia Butler’s Oankali, who evolve to become more humanoid, or China Miéville’s sexually dimorphic species, which have one humanoid sex and one nonhumanoid sex, play into or subvert this dichotomy? And how might portrayals of truly alien aliens continue to evolve?
12:00 PMThe Animate Universe.Judith Berman, Max Gladstone, Mikki Kendall (leader), James Morrow.
Every ReaderCON has that one panel that just doesn’t work. Unfortunately, this was it. Each of the participants had a different take on what the panel should be about and it really became a bit of a disaster. As you know, I have all the respect in the wold for Jim Morrow. And I adore Mikki Kendall. Judith and Max are fabulous too–but I don’t know them as well. See if the program description makes sense to you:
In Western post-Enlightenment thought, the universe is seen as inanimate, acted upon by other forces. In some cultures, however, the universe is an actor with agency. What is the role of the universe in our stories, and in the worlds we create to house them? How does an animate universe inform or subvert the author’s and reader’s understanding of meddling gods, dead gods, prophesies, fate, Chosen Ones, and quests?
All well developed characters have flaws and quirks–just like we all do. The concept of the perfect Superman type character doesn’t work anymore (if I continue the metaphor, the Man of Steel flick optimizes this deeper character development). A discussion of heroes who do truly horrible things during their journey toward the “right thing.”
From the program:
The more well-rounded and realistic a character is, the less they seem like a traditional hero. Is it possible to have both heroism and realism, or does the introduction of multiple character flaws automatically make that character an antihero? How do shifting and competing definitions of heroism influence this discussion?
2:00 PMReading: Elizabeth Hand. Elizabeth Hand reads Hard Light, the forthcoming third Cass Neary novel
I’m an Elizabeth Hand fan-boy. There. I said it. The Cass Neary series is a favorite–After all, who doesn’t like a main character who is a photographer (briefly famous for her work in the 70’s during the Punk Rock craze), who is a drug addict, alcoholic and kleptomaniac?
Hard Light continues Cass’ journey and the scene Liz read takes place at a London party. The wit, cynicism and sheer brilliance of the deeply troubled Cass was a delight to listen to…
She also had a book launch the same evening which I couldn’t attend due to a wonderful opportunity that I’ll write about in a moment.
After going back to back from morning until 2:30 PM…I found myself looking forward to lunch with Glenn Skinner and a potential cocktail.
3:30 PMReading: Mikki Kendall. Mikki Kendall reads An excerpt from a dragon short story.
Mikki is one of my favorite genre writers. She asks questions that most people do not and approaches her writing from an oblique angle–always interesting and thought provoking. With a healthy does of snark.
She decided on changing what she would read for ReaderCON, and I’m glad she did. I wonderful interview with a dragon–outlining the dragon’s perspective on humanity. Look forward to seeing this one in print.
During the con, I met a man I’ve know from the 80’s – Walt Williams. We both grew up on Long Island and now live in the Boston area. I had the pleasure of meeting his wife Margo as well.
During his reading Thursday night, we ran into someone who went to High School with Walt-Phil Merkel. He does a radio show on Long Island–and after he and Walt caught up on old time, he invited the very talented Mr. Williams to appear in an interview for his radio show.
Then I was gobsmacked when Walt suggested–and Phil agreed– to interview me as well.
I closed out the Saturday program talking about writing, my series, my podcast, Ragnarok Publications (who want to pick up my series), the latest short story just published in Tales of Magic and Misery and the work I’m doing to submit to Clockwork Phoenix 5 (Edited by Mike Allen of Mythic Delirium). It was an experience I’ll never forget and I’m humbled by the “ask.”
Saturday, 11 July 6:24 AM
With Friday behind me, and a great night’s sleep under my belt (aided and abetted by a Jack Daniel’s or two) I wanted to update you all on activities for the day before diving into the Saturday program. Bumped into quite a few friends as I made my way to Salon F (The biggest panel room) first thing Friday morning. Shira and Adam Lipkin, Mike Allen, John Clute, among many others. Of course, I also eventually found partner-in-crime, scotch drinker and fellow IT nerd Glenn Skinner, and he and I attended the late morning panel.
11:00 AM Mystery and Speculative Crossovers.Meriah Crawford, Chris Gerwel, Greer Gilman, Nicholas Kaufmann, Adam Lipkin (leader)
As my Arcana Chronicles series is a noir type of mystery stories wrapped in the supernatural, I was very interested in this panel–how have speculative fiction writers handled this previously? Am I missing an opportunity–or am I heading down a bad path? The Prodigal’s Foole has been pretty well received since it was published in 2012–and the prequel short in Tim Marquitz’s Tales of Magic and Misery is receiving similar kudos. But a writer can always be better–and this panel really showed me how long I have to go to button up this sort of story-telling. From the con program:
There are many books that draw from both the speculative fiction and mystery toolboxes, in both macro ways (China Miéville’s The City & the Cityand Peter F. Hamilton’s Great North Road are catalyzed by hard-boiled murder investigations) and micro ways (urban fantasy was initially defined by its relationship to noir, now often more evident in tone than in plot). Where is this crossover most satisfying? How do magic and advanced technology open up new avenues of investigation or methods of befuddling the detectives? How have trends, tropes, and developments in each genre influenced crossover works?
Afterwards, I caught up with Adam pipkin and we spent a few minutes discussing Effinger’s When Gravity Fails–my first introduction the a Mystery within SciFi.
Realizing it was well after 12:00, I decided not to be “that guy” showing up incredibly late for a panel. So Glenn and I grabbed lunch and caught up. Discussing the trials and tribulations of trying to write while working a full-time (plus) IT job, Electric Smart cars, story plot points and a general catch up was on the menu.
It was nearing 1:30 when I realized I needed to go hear a reading from a friend of mine.
1:30 PM Reading: Shira Lipkin. Shira Lipkin read from her upcoming novel –the title of which was finally revealed, but (as of this writing) Shira hasn’t posted it. So I’m not going to spoil the surprise! Needless to say, the title is very different then I expected–but based on the thirty minute reading and what I felt building, it’s amazingly appropriate.
Shira is the type of writer who puts multiple layers within the words typed on a page. Last year, I realized dialog for a different story changed to unconsciously imitate the back-beat “thump thump” of a dance club. Bloody brilliant. This year I was amazed how seamlessly she changed the Point of view of the various characters (each chapter is a different POV–and in some cases a different time). The seven year olds SOUNDED like seven year olds, the tension in the adults were palatable and there was one scene that was so fucking creepy, that I’m getting goosebumps while typing this nearly 18 hours later.
2:00 PM Where the Goblins Go: A Tour of Hells and Underworlds C.S.E. Cooney, Greer Gilman, Jack Haringa (moderator), Faye Ringel, Sonya Taaffe.
For such a dark topic, this panel was one of the most delightfully bubbly and evil panel I attended Friday. Greer Gilman had my favorite quote of the day: “Dante is kind of the interior decorator of hell.” #snort.
The discussion revealed around the various depictions of the underworld from different writers and cultures. From the program:
Many types of underworlds feature prominently in religion, folklore, horror, and fantasy. We will discuss the varied roles of hells and netherworlds in world mythology and how authors from Dante to Valente have explored (and exploited) these concepts in fiction.
I was about half-way through the panel when I realized another friend and writer had a reading at the same time. I snuck out of salon G and nipped across the hall to listen to Allen Steele.
2:30 PM Reading: Allen Steele. Allen Steele read an excerpt from the forthcoming novel ARKWRIGHT. This is an expansion scene for background on the fictitious writer Nathan Arkwright–from what was a short published last year. The story has now been expanded into a soon-to-be-released novel. SF Signal says:
Written by a highly regarded expert on space travel and exploration, Arkwright features the precision of hard SF with a compelling cast of characters.
In the vein of classic authors such as Robert Heinlein, Isaac Asimov, and Arthur C. Clarke, Nathan Arkwright is a seminal author of the twentieth century. At the end of his life he becomes reclusive and cantankerous, refusing to appear before or interact with his legion of fans. Little did anyone know, Nathan was putting into motion his true, timeless legacy.
Convinced that humanity cannot survive on Earth, his Arkwright Foundation dedicates itself to creating a colony on an Earth-like planet several light years distant. Fueled by Nathan’s legacy, generations of Arkwrights are drawn together, and pulled apart, by the enormity of the task and weight of their name.
This is classic, epic science fiction and engaging character-driven storytelling, which will appeal to devotees of the genre as well as fans of current major motion pictures such as Gravity and Interstellar.
The scene he read had to do with the first Science Fiction convention in 1939 and the baseball game held at the end. Wonderful background scene. Ray Bradbury was score-keeper (a historical fact). 🙂
I stayed in the same room, as the next reading was by a man I’ve respected for many years.
3:00 PM Reading: James Morrow. James Morrow reads from a soon to be published short story.
I met Jim as a fan-boy over a decade ago at a wedding of my friend Sean Develin (who is distantly related to one of my favorite authors). Sean–knowing how much I enjoyed Jim’s work, sat me at the same reception table and we struck a friendship which has delighted me over the years. The work he read from will be published this fall and it was a brilliant satire of Hollywood in the 1950’s. In thirty minutes, Jim entertained the audience with his biting wit, charm and brilliant flowing style.
Following a down-on-his luck author whose brothers run a shady studio called PARC (yeah–it reads backwards in a most appropriate way for the shlock movie production company), our man character finds himself in Mexico reviewing Black and white horror movies that can be exported to the study, re cut and dubbed for quick release and sale.
Tongue-in-cheek and reminisce of the type of TV movies the SYFY channel puts out today, our poor author friend finds himself ghostwriting stories for a fabricated Mexican screen writer.
Jim’s SciFi work is always thought inducing–but is satire is deliciously evil and I always adore his word play.
Another reading followed. This one by a man who made me cry last year.
4:00 PM Reading: Scott Edelman. Scott Edelman reads “The Pillow of Disappointment and What Was Found Beneath It”
Scott has been busy in the year since he left as editor for the SyFy channel’s web articles. And I’m happy to hear that as his writing always makes me feels though I’m running in his dreams. Last year, he read an extremely emotional tale. This year he wrote about the tooth fairy.
And it worked brilliantly.
I won’t say to much about it, when he’s posted the video of his reading on his YouTube channel. Take a listen for yourself:
After this, I spent a bit of time in the book story, grabbed dinner with Glenn and ran out to grab the rum from the car because it was time for my first Kaffeeklatsch–or as we have now redubbed it—the rumklatsch.
7:00 PMKaffeeklatsch.Shira Lipkin.
I’ve mentioned before the amazing work of Shira Lipkin. Joining this intimate group discussion, were a few writers I hadn’t met before along with Mike and Anita Allen.
The rum flowed as did the “iced tea” a concoction that included Makers Mark bourbon. We spoke about Shira’s novel, her poetry. Life in general and the fact that she is submitting the the upcoming anthology Clockwork Phoenix 5 edited by Mike.
To which I found out submissions close on the 26th of July. And THEN I was told by Shira that I better be sending in a story.
Crap. More work to do!
There were other activities that ran until the wee hours of the morning, inclusive of the “Meet the Pro(se)” party and an 80’s dance. But it had been a long day, and between the battery of tests and the non-stop activities of ReaderCON Friday, I was exhausted. So I drove home and fell into a deep sleep, dreaming of story ideas for Clockwork Phoenix 5.
* * *
Friday, 10 July 7:00 AM
The first evening of readings and panels for ReaderCON are open to the public. Many of the regular guests and attendees are there as well–certainly for the free program, but more importantly (IMHO) to see and reconnect with friends.
Within moments of walking into the Burlington, I’d bumped into Yves Meynard (who supplied me with raspberries), Jim Morrow, Leah Bobbitt, Greer Gilman and Walter Williams. I saw Liz Hand and Scott Edelman briefly and hope to catch up with them later today (after a few hours undergoing some testing–not for the raspberries, I swear).
I also had the opportunity to have a glass of wine and a chat with Peter Dubé.
Brilliant start to my favorite con! What I attended:
8:00 PM (Thursday) A Reading with Walt Williams.Walt Williams (who writes under W. B. J. Williams) reads his work in progress, the nearly complete novel the Hacker of Guantanamo Bay. This was a pretty special reading. Both Walter and I grew up on Long Island and met in the mid 80’s. The funny thing is that we were both writers at the time (unpublished back then of course) and never knew about each other’s work. So it was wonderful to hear him read from HoGB which will be coming out soon.
Walt applies his skills to what will be a futuristic thriller–and from the chapter or so I heard, I suspect it will be a marvelous read. I own both his printed works–one is work related. The other–The Garden at the Roof of the World is on my to-read list.
9:00 PM (Thursday)If Magic Has Always Been Real.Karen Burnham, Lila Garrott (leader), Max Gladstone, Romie Stott, Walt Williams
This panel intrigued me–so many fantasy authors who write in the Urban or Dark fantasy genres have a magic system where by the “art” is hidden from the real world, how does one address if magic really exists? It’s the idea I’m playing with longer term as an over-all arc in The Arcana Chronicles but it was a fascinating and lively panel. From the ‘Con program:
“Regarding the challenges of “the world we know, but with magic!”, Monique Poirier wrote, “If magic has always been real, why did colonialism and genocide roll the way it did?… It couldn’t possibly be the world we know without all the painful, fucked up history. And what good is magic if it can’t have altered that?” Naomi Novik’s Temeraire books address this by keeping many elements of history familiar but dramatically changing others. In Charlaine Harris’s Southern Vampire Mysteries, paranormal entities have always been there, but they hid from ordinary humans for safety and therefore lacked the ability to influence the course of history. How do other authors of historical fantasy and urban fantasy balance the inherently world-changing nature of magic with the desire to layer it on top of the world we have?
Magic. Techno-thriller. Authors and friends. ReaderCON 26 has begun!